|
Page 3
    
Partly inspired by many of
Rembrandt van Rijns paintings
(780)
Oil on canvas
113 x 76 cm
Top
Next
Other image size
Previous
Bottom
Other image size
A closer look
Other image size
Part of another face in the paintings background
Other image size
A third face in the paintings background
Other image size
A fourth face in the paintings background
Other image size
Links to all faces in the paintings background
At the top row.
1st from left. |
At the top row.
2nd from left. |
At the top row.
3rd from left. |
    
At the top row.
4th from left. |
At the top row.
5th from left. |
At the top row.
6th from left. |
  
At the 2nd row.
1st from left. |
At the 2nd row.
2nd from left. |
At the 2nd row.
3rd from left. |
  
At the 2nd row.
4th from left. |
At the 2nd row.
5th from left. |
At the 2nd row.
6th from left. |
  
At the 3rd row from the top.
1st from left. |
At the 3rd row from the top.
2nd from left. |
At the 3rd row from the top.
3rd from left. |
  
|
Rembrandt van Rijn
From Wikipedia, the free
encyclopedia 2016-03-02
|
Self-Portrait with Beret and Turned-Up Collar
(1659),
National Gallery of Art,
Washington, D.C. |
|
Born |
Rembrant Harmenszoon van Rijn
(1606-07-15)15 July 1606[1]
Leiden,
Dutch Republic
(now the
Netherlands) |
|
Died |
4
October 1669(1669-10-04)
(aged 63)
Amsterdam,
Dutch Republic (now the Netherlands) |
|
Nationality |
Dutch |
|
Known for |
Painting,
Printmaking |
|
Notable work |
The Anatomy Lesson of Dr. Nicolaes Tulp,
1632
Belshazzar's Feast,
1635
The Night Watch,
1642
Bathsheba at Her Bath,
1654
Syndics of the Drapers' Guild,
1662 |
|
Movement |
Dutch Golden Age
Baroque |
Rembrandt
Harmenszoon van Rijn
(/ˈrɛmbrænt,
-brɑːnt/;[2]
Dutch: [ˈrɛmbrɑnt
ˈɦɑrmə(n)soːn vɑn ˈrɛin] (
listen);
15 July 1606[1] –
4 October 1669) was a
Dutch
painter and
etcher.
He is
generally considered one of the greatest painters and
printmakers
in
European art
and the most important in
Dutch
history.[3]
His contributions to art came in a period of great wealth and cultural
achievement that historians call the
Dutch
Golden Age
when
Dutch
Golden Age painting,
although in many ways antithetical to the
Baroque
style that dominated Europe, was extremely prolific and innovative,
and gave rise to important new genres in painting.
READ MORE
|
Charles-Francois Princeloup de la Grange by
Jean-Babtiste Perroneau
Inspired Joel Toft to do this painting (778)
Oil on canvas
37 x 46 cm
Top
Next
Other image size
Previous
Bottom
Magdaleine Pinceloup by
Jean-Babtiste Perroneau
Inspired Joel Toft to do this painting (777).
Oil on canvas
31 x 41 cm
Top
Next
Other image size
Previous
Bottom
3
Top
|
\
